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Dialogue | Ding Yi Elias Crespin
  • Dialogue | Ding Yi Elias Crespin
    Dialogue | Ding Yi Elias Crespin

  • Dialogue | Ding Yi Elias Crespin
    Dialogue | Ding Yi Elias Crespin

  • Dialogue | Ding Yi Elias Crespin
    Dialogue | Ding Yi Elias Crespin

  • Dialogue | Ding Yi Elias Crespin
    Dialogue | Ding Yi Elias Crespin

  • Dialogue | Ding Yi Elias Crespin
    Dialogue | Ding Yi Elias Crespin

  • Dialogue | Ding Yi Elias Crespin
    Dialogue | Ding Yi Elias Crespin

https://youtu.be/6pUHGKROy24
https://youtu.be/igFZI9LIvIE
https://youtu.be/K3dfSTMZkqk

Ding Yi (b.1962), the leader of China’s new abstraction in the 1980s, led the way by creating two repetitive patterns “+” and “x”. Separated from any representation of political or historical meaning, they are considered a symbol of a new freedom. Ding Yi is thus detached from the figurative and expressionist movements of some of his contemporaries. His crosses form a dense and complex network developed for almost 30 years in different colour compositions, alternatively using pigments, pens, markers, acrylic, pastels, on various media ranging from canvas to paper through cardboard and tapestry. For the artist this repetitive and obsessive use of the same motifs is a way to go beyond the brush strokes of ancient Chinese art, beyond tradition and furthermore to reflect on early modern European Art. Ding Yi makes this method a philosophy. The formal constraint eventually allows him to emancipate from the sociocultural references of many of his peers.

Born in Caracas of Venezuela in 1965, Elias Crespin first studied computer engineering and integrated both science and art into his artistic practice. He thus produces moving sculptures made of suspended metal mesh or rods that float in space, leading a dance of subtle colour and movements animated by small engines and a sophisticated technological device. Crespin also plays with materials - steel, plexiglass and nylon - transparency and shadows. An heir to the South American kinetic art movement he developed a very personal line with his poetic mechanism of geometry.

In this exhibition we can find an exchange about the line and simple geometric shapes with special attention paid to the structure and movement fixed on paper or in action in space. Ding Yi's repetitive patterns of cross co-exist naturally with Crespin’s aerial stems and wires, which is a real delight to the visitors grabbed by a playful, meditative and soothing mood.

With special thanks to ShanghART.